FOREVER YOUNG LOOKING FORWARD, LOOKING BACK..
CAMBRIDGE FORUM CELEBRATES THE LEGACY AND FUTURE OF FOLK MUSIC AT 50.
Join us on NOVEMBER 16 at 7 PM in the Barn Room, First Parish at 3 Church Street in Cambridge. To help jog our memories Betsy Siggins, raconteur extraordinaire, will refresh our knowledge of the early days she spent in Cambridge with Joan Baez and Bob Dylan in the 60’s. Folklorist Millie Rahn will moderate the conversation, which will be interspersed with live music from musician and songwriter, Jake Armerding.
In the early days, Club 47 was the place to play for folk musicians in the Boston area and all the greats performed there including
Baez, Dylan and Muddy Waters. The Harvard Square space eventually morphed into today’s Club Passim, which has given rise to some of the top musicians in the folk world, like Shawn Colvin and Suzanne Vega. The music scene has changed greatly over the past 50 years. But Cambridge and Club Passim continue to turn out fresh and exciting talent that reflect many of the influentials trends in today’s evolving music world.
In the tradition of the Club ’47 legends, musician Jake Armerding embodies the consummate hard-working troubadour. He hails from a Massachusetts family of musicians where he honed his songwriting skills, while also becoming an accomplished violin, mandolin and guitar player. Jake will perform some of his own songs throughout the evening in addition to some classic gems from the Dylan days. Come and enjoy!
Before Woodstock and Monterey Pop, there was FESTIVAL. From 1963 to 1966, Murray Lerner (American documentary and experimental film director and producer) visited the annual Newport Folk Festival to document a thriving, idealistic musical movement as it reached its peak as a popular phenomenon. Joan Baez, Bob Dylan, Howlin’ Wolf, Johnny Cash, The Staples Singers, Pete Seeger, Son House, & Peter, Paul and Mary were just a few of the legends who shared the stage at Newport, treating audiences to a range of folk music that encompassed the genre’s roots in blues, country, and gospel as well as its newer flirtations with rock ’n’ roll.
Shooting in gorgeous black and white, Lerner juxtaposes performances with snapshot interviews with artists and their fans, weaving footage from four years of the festival into an intimate record of a pivotal time in music—and in American culture at large.
– New, restored 2K digital transfer, approved by director Murray Lerner
– New reconstruction and remastering of the monaural soundtrack using the original concert and field recordings, approved by Lerner and presented uncompressed
– Selection of complete outtake performances, including Clarence Ashley, Horton Barker, Johnny Cash, John Lee Hooker, and Odetta